Scavangers-Carroñeros

Spotted Hyena

This rare animals attack in groups and they are so eager to dismember the body of the victim and devour any carcass; that is unsettling to see.

Estos animales tan raros atacan en grupos y son muy ávidos para desmembrar el cuerpo de sus victimas y devorar cualquier despojo; que ver eso es muy perturbante.

White-backed Vulture

If there is any leftover in any carcass, the White-backed Vulture will be there in an shocking scene. Devouring what is left. Is a rare animal than before and its existence is Near Threatened Extinct in 2006.

Si todavía queda algo de cualquier despojo el Buitre de Espalda-blanca estará ahí en una escena escalofriante; devorando lo que queda. Es un animal raro más que antes y su existencia es considrada con una amenaza muy cercana de extinción en el 2006.

About marcocastrophotography

I was born and raised in México City, where the mixture of cultures gave birth to the nation that we know as México. My grandmother was the last in my family who spoke fluent Nahuatl, the language of the Aztecs. Due to the racism in those days, she never taught her daughters the language, and therefore, we, as a family, lost our cultural heritage. I have been involved, however, with the indigenous world, even though I do not believe this happened by coincidence. I have a background as a graphic designer, one credit short of a BA in Graphic Communication Design from the National School of Visual Arts, National Autonomous University of Mexico (ENAP-UNAM). While in a Photographic Workshop at the University Center of Cinematographic Studies (CUEC-UNAM), I met a photographer who changed my life forever: Ignacio “Nacho” López. I can still see how strongly he influences me when I develop my work in my digital darkroom. I have also had the opportunity to share marvelous moments with photographers like Dolores Alvarez-Bravo, Hector García, Lázaro Blanco, and Walter Reuter who introduced me to the etnia Triqui in Oaxaca, Mexico (Triqui Nation). I traveled and worked as Reuter's assistant for several years. I moved to New York City in 1993, which was a dream of mine for years. Here I have had the opportunity to collaborate with newspapers, magazines, and several news organizations, as well as literary publications. I also have been working as a photographer-consultant for the United Nations headquarters in New York City for the past six years at the openings of the General Assemblies. I spent endless hours in my darkroom, even mixing my own chemicals blowing up my prints back in my hometown; skills that I apply today in my digital work with attention to detail. I hold a BA on Communication and Culture from the School of Professional Studies at the Graduate Center City University of New York class of 2010. I consider myself as a Photojournalist with a Humanistic approach; I have an opportunity to rapidly built rapport with my subjects allowing me to break the barriers of language and culture; this open the doors for me to get a glimpse at their experience on their daily life and activities. Taking advantage of the old school and the digital imagining, I take the Previsualization of an image as taught by Anselm Adams with the algorithms of the new digital era and combine them to enhance what I see and experience at the moment of capture. My experience as a printer in Black and White darkroom, has allow me to choose the right material to support my imaginery. Using the Canon Pro9500 MarkII with it’s high-performance, high-density 7680 nozzle FINE print head that produces ink droplets as small as 3-picoliters for stunning, true-to-life images. The Canon LUCIA ink system guarantees archival photo life up to 100 years. All this in a 100 % acid-free cotton paper as the Moab Somerset enhanced velvet 225gsm. In 13” by 19” prints that I sale as fine art. As freelance Photographer based in Brooklyn, New York. Am always open for the booking of my expertise and for hire anywhere in the world as I hold two passports as Mexican-American and a driver’s license for the State of New York.
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